A film analysis of cry freedom directed by richard attenborough

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Ramphele Josette Simon , a fiery woman closely associated with the banned black leader Biko's reputation as a ladies' man is the sort of humanizing detail the film badly needs, and refuses to make use of. And tragically, his story was a great deal shorter. This gives the audience a feeling of sympathy for the black's situation. Its frankly grandiose style is transporting in its way, as is the story itself, even in this watered-down form. Popular Blog Posts. Penelope Wilton Jane Woods Zakes Mokae Evalina The circumstances leading to Biko's death caused worldwide anger, as he became a martyr and symbol of black resistance. But when the viewer is suddenly presented with hundreds of children being shot in the streets, you've got to wonder whether "white guy escapes" is the story most in need of telling here. In the film, Biko talks like a slightly dull vicar from Suffolk. When it returns to the scene of destruction the black peoples homes and belongings are been destroyed by bull dozens and fires. Opening with self-consciously journalistic footage of a police raid on the Crossroads settlement, near Cape Town, it quickly introduces Donald Woods to Steve Biko through the intervention of Dr.

Sophie Mgcina Cry Freedom. It is an issue, not a place, and "Cry Freedom" helps to visualize it.

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The real Biko spoke fierily, wittily and colloquially, peppering his speech with "hey, man". The second part, when Woods Kline organizes the run of his family from South Africa, becomes more conventional and shot in a very "Hollywood style" although the film is British! After Biko's death the director a shot of Biko's widow and young children and then straight away shows Kurger at the meeting. Although Biko is played with quiet power by Denzel Washington , he is seen primarily through the eyes of Woods Kevin Kline. It's sort of a liberal yuppie version of that Disney movie where the brave East German family builds a hot-air balloon and floats to freedom. The video now in release actually runs a little over 2 and a half hours since 23 minutes of extra footage was inserted to make it a two part TV miniseries after the film's initial theatrical release. Following a violation of his banning, Biko was arrested and later killed while in police custody. Although these thoughts don't come through clearly enough, they can still be heard.

It includes some violent episodes. He did however note that the film "loses momentum as it spends too much time on Kline and his family's escape from South Africa".

To preserve these articles as they originally appeared, The Times does not alter, edit or update them. The funeral of Biko has also been stirringly staged, with a huge cast of extras singing a black nationalist anthem.

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Richard Attenborough uses many techniques to show the viewers images of the poverty and filth the black people have to live in. Almost everyone in the cast except Washington mispronounces the name Biko. Much less is known about him.

A film analysis of cry freedom directed by richard attenborough

No real attempt is made to show daily life in Biko's world, although we move into the Woods home, meet his wife, children, maid and dog, and share his daily routine, there is no similar attempt to portray Biko's daily reality.

The circumstances leading to Biko's death caused worldwide anger, as he became a martyr and symbol of black resistance. Attenborough shows his bias point of view through out the film.

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The video now in release actually runs a little over 2 and a half hours since 23 minutes of extra footage was inserted to make it a two part TV miniseries after the film's initial theatrical release. Attenborough also uses many other techniques to show his bias. An example of this is the bottle smashing on the road and the child running off scared. One of the remarks Kurger makes is I guess I would be sad about my own death crowd laughs. Attenborough then uses arial shots to capture Biko's body. Among the film's best scenes are those in which Mr. It therefore remains as imperative as ever for white South Africans, particularly the younger ones who have only heard of these actions to see it, and absorb the film's messages.

It is Woods' story from beginning to end, describing how he met Biko, how his thinking was changed by the man, how he witnessed black life at first hand by patronizing a black speakeasy in a township and having a few drinksand how, after he was placed under house arrest by the South Africa government, he engineered his escape from South Africa.

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